Homeschooling Makes Me a Better Parent
The Totally Epic Problem of Language Inflation
She's a Product of Her Generation
She paused and said, "Oh, it's loading."
Building Cathedrals: Lessons from the Middle Ages
Here's one from the archives.
The consensus among historians is that the cathedrals of the Middle Ages are the single greatest artistic and technological achievement of the Medieval Era and perhaps the greatest architectural achievement ever known. But what is truly fascinating is that these wonders of beauty and engineering could only have been built at a time when Christianity flourished, for cathedrals are the outworking of a Christian worldview that we moderns can learn much from.
A cathedral was a monumental undertaking and took anywhere from 100 to 600 years to complete. Try to imagine this: men and women spent their whole lives working on a project that they would never see completed. Parents worked alongside their children, and when the older folks died, the younger ones carried on their labors, and so on for hundreds of years—each generation sacrificing and expending themselves for those they would never meet. This future orientation and patience is almost incomprehensible to those of us who feel like waiting two and a half minutes to microwave popcorn is interminable! Yet, these medievals labored faithfully on, content that their posterity would enjoy the fruits of their labors.
Additionally, the medievals thought of themselves in terms of the community, in terms of their relationship to others as opposed to the modern focus on the individual. And this sense of community led to a most remarkable thing. Many cathedrals were built by volunteer labor. In the evening, after work, people would volunteer to work for 2 or 3 hours (which helps to explain why it took so long to build a cathedral). Unlike the great monuments of antiquity, which were built using forced slave labor—usually for the self-glorification of some pagan ruler—the cathedrals of the Middle Ages were built by the hands of those who freely gave of themselves for the glory of God and the good of the community—a community which included those yet to be born.
The people of the Middle Ages were also greatly concerned with beauty. For the medieval, God is the God of Truth, Goodness, and Beauty; therefore, the place where He is worshiped must of necessity be beautiful. So they constructed cathedrals filled with the beauty of vaulted ceilings, domes, gothic arches, stained glass, paintings, and sculptures. But, their commitment to beauty extended beyond these obvious touches. The recognition that they were working for the glory of God caused them to be meticulous in ways that seem almost ridiculous to us moderns. Everything had to beautiful: the latches on windows, doorknobs, hinges, you name it. The medieval did not separate function and beauty. If the object was going into the house of God, then it was going to be beautiful. Furthermore, even the backs of statues which were placed in corners were beautifully and ornately sculpted. The sculptures were in a corner; no one would ever see it. But the medieval knew that God would see it, so he made it beautiful just for His pleasure.
Additionally, this concern for community is why individual artists did not sign their works. It was not about the individual’s glory; it was about the community and contributing to the community effort. It was not until the humanistic focus of the Renaissance that artists began signing their works and became focused on personal glory and fame.
Centuries later these cathedrals stand out as stunning object lessons to us moderns. The medievals continue to teach us, the future generations who benefit from their labors. First, they remind us of the importance of beauty. Our modern culture idolizes pragmatism and functionality; beauty is an afterthought, if that. Yet, our souls were made to respond to beauty, and we neglect it at our own peril.
Secondly, cathedrals highlight the significance of working to the glory of God. The focus for the medieval was on God’s glory, not on individual fame or honor. Cathedrals were built by anonymous craftsmen and artists, craftsmen who were more interested in the praise of God than the praise of men. This is an especially important encouragement for homeschoolers. The daily labors of homeschoolers will not likely result in the praise of the world and personal glory and fame. But we can rejoice knowing that the God who delights in the backs of statues in the corners of cathedrals, sees our efforts and takes pleasure in the beauty we are crafting in the lives of our children.
And thirdly, we are admonished by the existence of cathedrals to think beyond our own individual lives, to consider the lives of those who do not yet exist. Homeschoolers have done a great job resurrecting the past, refusing to buy into the vanity that deceives us into thinking that we have nothing to learn from those who came before us. Ancient history and ancient literature have found their champions in the homeschool movement. At the same time, however, we must turn our attention forward as well. In addition to mining the past for its treasures, we must also plant seeds for future generations to reap.
We should find great encouragement in the idea of sowing seeds for the future. We don’t have to build cathedrals by ourselves. All we have to do is make a start, and our children and grandchildren will carry on the work. John Milton wrote that education was a process of “repairing the ruins” of our first fathers. Take comfort. You don’t have to undo thousands of years of ruin, you just have to give your child a better education than you received. And if your child continues your labor with his own children, then in a few generations, you will have built a cathedral.
No Time for Beauty
On a cold January morning world famous violinist Joshua Bell entered a metro station in
Armed with his 3.5 million dollar violin,
A full three minutes went by before anything happened. A middle-aged man turned his head but continued on his way without stopping. Thirty seconds later someone threw a dollar into
In the 45 minutes that
In all 1,070 people that morning completely ignored one of the world’s finest violinists playing some of the most beautiful music that has ever been written. Many passersby were only three feet away. Few even turned their heads in
"It was a strange feeling, that people were actually, ah . . .ignoring me."
Interestingly, children noticed
And just as interesting, yet far more disheartening, is that 100 feet away from Bell stood a line of folks, sometimes 6 people long, waiting to get lottery tickets. In 45 minutes, not one person turned around.
It’s easy as I sit here at my desk on a quiet evening at home to think well of myself. Surely, I would be different. Certainly, I would make time for such rare beauty. But, would I really?
Most of the people in the subway station that morning were rushing to work or to school. Would I be any different? Was it that the subway passengers truly did not recognize beauty or was it that the beauty was simply irrelevant to them? Far greater concerns pressed upon them that morning.
That’s the saddest part of this story to me. Our lives are so busy that we have no time for the very things that bring meaning and joy to our lives.
Click here to read the full story and to view the video footage.
Aesop Got It Wrong!
In the fable “The Tortoise and the Hare” Aesop teaches us that steady, persistent hard work is better than natural talent, overconfidence, and a poor work ethic. That part is true. But the “slow and steady” moral of the fable has its limits.
Parents and teachers looking for slow, steady incremental improvement in their students will be frustrated and discouraged. Children—and adults for that matter—don’t learn “slow and steady.”
Try teaching a child to read. Faithfully, the teacher drills phonics flashcards every day. On Monday the student gets every flashcard correct. On Tuesday the student not only can’t remember the phoneme in question, but will often passionately argue that he has never seen it before in his life! By Wednesday, he is reading whole sentences flawlessly. But as soon as the teacher starts congratulating himself on little Johnny’s reading improvement Thursday rolls around and Johnny can’t remember half of his flashcards again. By Friday the teacher is convinced that either he is the worst reading teacher in the world or something is seriously wrong with little Johnny.
But nothing is wrong with Johnny or with the teaching. This is simply how kids learn. Little kids, big kids, it’s all the same.
Some days I wonder if my high school student is learning anything. He reads his books and I ask him questions and then torture myself that he just doesn’t seem to be “getting it.” A few days later he without prompting offers me his comparison of the current American political crisis and ancient
He’s been the hare. And he’s been asleep. And now he’s sprinting!
When it comes to learning, children are not tortoises. They are hares. They sprint and they nap and then they make mad dashes and leap ahead. In education, the teacher is the tortoise, slowly and steadily teaching his students, persevering even when his students seem mentally asleep. But in this scenario the tortoise and the hare aren’t racing, they are travelling companions heading toward that same finish line.
On those days when we can’t wake up our hares, we need to keep plodding along toward that finish line, confident that they will catch up. And unlike Aesop’s fable, our hares will ultimately pass us and we will consider that our victory.




